Category: Uncategorized

  • Public Domain* Day 2026: Films of 1930 * if you‘re American

    From Soup to Nuts and Marxists to Marxes! 
    On January 1, all films published 95 years ago lose their copyright restrictions and enter the public domain. This year, the crop of 1930can now be freely used to display, remix, and build upon. In the USA. Here in Canada, due to a legal Gordian Knot involving the Bern Convention, a series of treaties, and the “rule of the shorter term” possibly being exempted for works from the USA and Mexico… Public domain American films may still be copyrighted here, specifically if, (due to CUSMA, 2020) the “authors” (and it’s legally a bit vague who all this is for a motion picture) of the work died after 1971. It’s a mess.Result: a 20 year public domain hiatus in Canada, with no new works entering public domain until 2042. So unless that changes, we at the Vodville look forward to celebrating a real public domain day in Canada with you then.THAT SAID, we get around all this by exercising our rights as granted by the Fair Dealing provision of the Copyright Act (1985). Here’s some non-substantial portions of possibly still copyrighted films presented non-commercially, and for educational and critical purposes. *jazz hands*

    • First up, some good ol’ fashioned Marxist propaganda from Animal Crackers, it’s the memorable numbers Hello, I Must be Going and Hurray for Captain Spaulding. [3:23]
    • Some reflections on man’s mortality from Alexander Dovzhenko’ Earth. [2:56]
    • *after 8 pm The aerial camera work by Winnipeg’s own Osmond Borradaile sets the dogfight scene from Hell’s Angels amid towering clouds, bringing the viewer directly into a landscape that’s usually only seen from a distance, far below. [2:24]
    • Next we go to Just Imagine which looks 50 years into the future and imagines a 1980’s Dr Frankenstein. No one appears to have imagined a social safety net though. Fun fact, the electrical effects in this were by Kenneth Strickfaden, they entered the collective imagination of moviegoers a year later when they appeared in 1931’s Frankenstein. [3:28]
    • Speaking of fever dreams of the imagination, check out this airship-borne ode to all things electricity from Cecil B. DeMille’s  Madam Satan. [3:29]
    • Rube Goldberg (of ‘Machine” fame) was a real guy, and he wrote a movie, and it’s amazing. Check out the burglar alarm from Soup to Nuts. [2:07]
    • Scythes vs combine in Earth. This film was created in response to the collectivization of Ukraine and it was banned by Soviet authorities 8 days after its release. In the following years the Soviets extended government control over the film industry, strangling its creative output. In totally unrelated news, Hollywood’s Hays Code debuted in 1930, although it was un-enforced until ‘33. [2:55]
    •  Speaking of banned films, Luis Buñuel & Salvador Dalí’s surrealist masterpiece L’Âge d’Or managed to get banned from exhibition for 50 years, by the French no less. Here is a charming scene with a cow. [0:55]
    • Back to Animal Crackers for a friendly card game with absolutely no tricks. [4:47]
    • Ub Iwerks’ Fiddlesticks is his first animation after leaving Walt Disney’s Studio. Featuring Flip the Frog, and a suspiciously familiar looking cartoon mouse. [2:36]
    • Animal Crackers again with a quick lesson on musician rates negotiations, gig workers take note. [2:56]
    • Dizzy Dishes notable for the first appearance of Betty Boop. [1:37]
    • Aside from it being the most whitewashed Jazz show I have ever seen, it does have some glorious two strip technicolor production pieces. Here is one from King of Jazz. [1:24]
    • Back to the rigid airship party in Madam Satan, now with some cats on the catwalk, which seems like a recipe for static electricity and explosions. [2:22]
    • That awkward moment when you get the government letter marrying you to your backup plan. 1980’s romance problems in Just Imagine. [3:15]
    • *after 8 pm Director Howard Hughes himself was flying the camera plane for much of this aerial duel in Hell’s Angels. [3:43]
    • Some Groucho asides on love and marriage from Animal Crackers. [3:30]
    • You know the party is going to be good when there is a beer cart, L’Âge d’Or. [0:41]
    • Some disembodied heads singing about lower extremities in King of Jazz. [0:43].
    • More Rube Goldbergian genius from Soup to Nuts. [1:37]
    • I love how pretty this movie is; Earth, with a series of scenes that will stir the heart of any child of the prairies, but chill the soul of any celiac. I’m conflicted. [1:52]
    • Ever been so angry you just have to throw some things? This guy too, L’Âge d’Or. [1:43]
    • Soup to Nuts is also known for being the first screen appearance of the Four Stooges (who, minus Ted, would go to work as a trio). Here they help out with a fire. [2:29]
    • The perils of food service from Dizzy Dishes. [1:11]
    • Coburg Ontario’s own Marie Dressler gives an oscar winning performance as dockside innkeeper in the film Min and Bill. Here is some yacht chaos. [3:34]
    • 7 years before the Hindenburg, and 87 years before the Fyre festival, there was this disaster of a party from Madam Satan. [3:17]
    • More zeppelin crashes! from Hell’s Angels. [1:28]
    • More Four Stooges firefighter shenanigans from Soup to Nuts. [1:25]
    • King of Jazz with a meditation on monarchy. Personally I feel that you shouldn’t expect to wield supreme executive power just because a chimpanzee hucked a coconut at your head. Also this was  the first technicolor cartoon. [2:38]
    • Animal Crackers Groucho Marx at his best, giving a pitch to an investor. [2:00]
    • Everyone loves a good munitions dump explosion or 47. Hell’s Angels. [1:58]
    • Just Imagine, launching on a mission to Mars. [1:46]
    • A short animation to celebrate 2026 by local stop-motion animators Brongadoo productions.
  • ‘Tis the Season TV

    Mariah Carey has been back on the radio for at least a week, so we figure it’s time to find the gold pipecleaners and warm up the old seasonal programming.

    We’ve hooked up with Christmas film and TV historian Joanna Wilson to bring you clips from some deeply weird, almost entirely forgotten Christmas Specials.

    If you have any suggestions for our big “Mostly Christmas” show (Especially  if you know of some seasonal holiday films or TV that aren’t Christmas!!) please email us at vodvilleEV@gmail.com

    Here’s Joanna!

    The 1960s was the golden age of Christmas animation on television. However, the two decades following inspired animators to produce unforgettable Christmas entertainment that is often overlooked and undervalued. Here are five examples from the 1970s-80s of underappreciated Christmas animation. 

    My name is Joanna Wilson and I curated this list. I’m a TV and film historian, specializing in Christmas entertainment, and the author of the book “Tis the Season TV: The Encyclopedia of Christmas Episodes, Specials and Movies,” 2nd edition—coming in 2026 by 1701 Press. 

    Instagram: @TistheSeasonTV. 

    christmastvhistory.com 

    [she has some neat books here, and we’re not being paid to say this!! -EVV]

    The Snowman (1982) 

    Adapted from the book by Raymond Briggs, this British-made story about a snowman that comes to life has charmed viewers around the world. The subtle pastel colors and charming characters are accompanied by a haunting melody “Walking in the Air,” performed by choirboy Peter Auty and the Sinfonia of London. 

    George and the Christmas Star (1985) 

    Academy award-nominated creator Gerald Potterton both wrote and directed this sciencefiction tale. The adorable story is about George who builds himself a rocket ship to go into space in pursuit of the perfect star for the top of his Christmas tree. Potterton’s distinctive imagery and imaginative storytelling raises this Christmas TV special above most others. 

    A Very Merry Cricket (1973) 

    In this story, a cat and mouse recruit their friend Chester C. Cricket to make his special music to cut through the chaotic noise and distractions at Christmas time in the city. This TV special offers a challenge to the hustle and bustle of the holiday season, a welcome solution of pleasant melodies from nature. This story is adapted from the book “A Cricket in Times Square” by George Selden and brought to life by master animator Chuck Jones, who also crafted the 1966 cartoon “How the Grinch Stole Christmas.” 

    The Gift of Winter (1974) 

    This animated program features a one-of-a-kind visual style and character design with an inspiring story. A group of townsfolk unhappy with the cold and wind of the season, organize their protest to the bureaucratic head, the Minister of Winter. The politician is so moved by their appeal, he begins to cry, creating snowflakes—a fun and acceptable addition to the wintry weather. This cult classic evokes the familiar 1970s zeitgeist of political movements and people coming together to work towards a solution to systemic problems. 

    A Cosmic Christmas (1977) 

    Another science-fiction story, this one sees a young boy Peter and his pet goose Lucy greet three aliens from another planet at the holidays. The visitors ask about the meaning of Christmas but Peter struggles to show them examples of love, peace, generosity, and goodwill in the city as he described them. This TV special was an early creation of Nelvana, the same company who created the animated segment in 1978’s infamous “Star Wars Holiday Special.” 

    Bonus Video: Jingle Bell Rocks (2013) 

    Vancouver documentary filmmaker Mitchell Kezin created a feature-length live-action movie about the joy of Christmas record collecting. Kezin’s seminal film includes interviews with celebrity collectors, like filmmaker John Waters and journalist/publicist Bill Adler, and also features artists who have created Christmas music, such as Wayne Coyne, of the band the Flaming Lips, and jazz musician Bob Dorough who worked with Miles Davis. More importantly, Kezin’s film drew Christmas music collectors together from around the world, including myself. Friend Mitchell Kezin passed away in 2024 and I wanted to share a brief clip from the beginning of his film of him shopping for Christmas records, engaged in the passion of collecting, an activity all Christmas record collectors know and enjoy. Rock on, Mitchell.