East Van Vodville Cinema

the tiny theatre with short shorts

Category: Shows

  • Teen Angst

    special guest curator, Sara Bynoe

    25 years ago I made a website with my brother: TeenAngstPoetry.com. I created and found the content and he made the code and design. My dream was to have an online archive of funny, bad, and cringeworthy poetry from people’s teen years. I thought it was silly and hilarious. I also wrote a lot of bad poetry during adolescence and I had to do something with it, right?

    To launch that website I had an event where I got a bunch of people together to read from our teenage poetry books and diaries. That night we laughed so hard that some people literally peed themselves.

    Ever since then I’ve been hosting “Teen Angst Nights” where people read from their teenage notebooks – not just old poetry. There are 3 rules for the show: 1 – You must have written what you share. 2 – It must have been created by you between the ages of 10-19 years old. 3 – You cannot be proud of what you share. It should be embarrassing. It’s a comedy night, afterall.

    For the East Van Vodville, I have collected a bunch of retro TV and movie clips that feel teen angsty to me. Me, an elder millennial. So enjoy the nostalgia, Gen X’ers and Millennials! Gen Z and Alpha, gaze upon a world pre iPhones.

    If Teen Angst Night has taught me anything it’s that these feelings of despair, loneliness, hurt, and “no one understands my pain” are universal, it’s just the pop culture references that change.

    • Sara Bynoe

    10 Things I Hate About You 1999

    It’s Shakespeare’s Taming of the Shrew but set in the late 90s. In this clip, Kat reads a poem to the class.

    Directed by: Gil Junger Written by: Karen McCullah Lutz, Kirsten Smith Edited by: O. Nicholas Brown

    Anne of Green Gables 1985

    It’s the 1880s in PEI; Anne is an orphan with red hair and Gilbert, a boy in her class, called her “carrots” and hurt her feelings.

    Directed by: Kevin Sullivan Written by: Kevin Sullivan, Joe Wiesenfeld Edited by: James Lahti, Mairin Wilkinson

    Bend It Like Beckham 1985

    A young football (better known as soccer in Canada) player is a girl and her family disapproves, until her father speaks up for her.

    Directed by: Gurinder Chadha Written by: Gurinder Chadha, Guljit Bindra, Paul Mayeda Berges Edited by: Justin Krish

    Booksmart 2019

    This is the only modern movie on this list. It’s a great film about teenagers, so I had to include it. In this scene a girl overhears people talking about her in the bathroom.

    Directed by: Olivia Wilde Written by: Emily Halpern, Sarah Haskins, Susanna Fogel, Katie Silberman Edited by: Jamie Gross, Brent White

    But I’m a Cheerleader 1999

    This is a legendary satiric coming-of-age movie about queer kids. In this scene a cheerleader arrives at “True-directions” and is confronted about her feelings for other girls.

    Directed by: Jamie Babbit Written by: Brian Peterson. Jamie Babbit Edited by: Cecily Rhett

    Can’t Hardly Wait 1998

    Two high school students from different cliques find themselves locked in a bathroom during a high school house party.

    Directed by: Harry Elfont; Deborah Kaplan Written by: Deborah Kaplan; Harry Elfont

    Clueless 1995

    This is the best movie of all time. You should watch the whole thing. In this scene Cher, the lead of the movie, has to do a high school debate.

    Directed by: Amy Heckerling Written by: Amy Heckerling Edited by: Debra Chiate

    Dazed and Confused 1993

    It’s 1976 and junior high kids are being hazed by senior high school students. Side note: If Dazed and Confused were made today, it would be set in 2008.

    Directed by: Richard Linklater Written by: Richard Linklater Edited by: Sandra Adair

    Dead Poets Society 1989

    A teacher makes a student write a poem.

    Directed by: Peter Weir Written by: Tom Schulman Edited by: William M. Anderson

    School’s Out! (Degrassi) 1992 – (after 8pm only)

    If there’s one scene people I know still talk about from Degrassi Jr. High it’s the one with the line “You were F-ing Tessa Campanelli.” This Canadian show is a classic.

    Directed by: Kit Hood Written by: Yan Moore Edited by: Robert de Lint

    A New Start (Degrassi High) 1989 – (after 8pm only) 

    Degrassi covered so many issues that teenagers sometimes have to deal with. Like unplanned pregnancies. Good thing Spike is around to talk about this.

    Directed by: Kit Hood Written by: Yan Moore Edited by: Robert de Lint

    Ferris Bueller’s Day Off 1986

    A kid skips school and takes his friends on a joy-filled day around Chicago. One catch, he makes his best friend take out his father’s sports car. This is the scene after their joyride adventure has ended.

    Directed by: John Hughes | Written by: John Hughes | Edited by: Paul Hirsch

    Pretty in Pink 1986

    A love story about two high school kids from different cliques. She works in a record store. He is a preppy rich guy whose friends think she’s beneath them.

    Directed by: Howard Deutch Written by: John Hughes Edited by: Richard Marks

    Mean Girls 2004

    It’s like Clueless only different. This is the scene when everyone finds out about the Burn Book.

    Directed by: Mark Waters | Written by: Tina Fey | Edited by: Wendy Greene Bricmont

    The Breakfast Club 1985

    There have been a lot of serious clips in this curation. This one is just a fun dance scene because teens, even ones from different groups, can have fun together.

    Directed by: John Hughes | Written by: John Hughes | Edited by: Dede Allen

    The Craft 1996

    “We are the weirdos, mister.” What is it about teenage girls and witchcraft? It just feels right, right?

    Directed by: Andrew Fleming | Written by: Peter Filardi, Andrew Fleming | Edited by: Jeff Freeman

  • Moving Art 2025 Unity

    12th Annual Eastside Culture Crawl Film and Video Exhibition

    Alone we are thread, together we are cloth.” 

    Unity explores the beauty of connection – between people, ideas, and the natural world. From the intimate act of braiding hair to the intricate weaving of textiles, these works trace the ways in which individuality intertwines into collective creation. Artists this year draw together disparate strands: nature and a human voice, community and solitude, digital signal with analogue process. 

    Each piece reminds us that unity is not uniformity, but the rhythm of many parts moving as one. Together, these works assemble a vision from fragments of memory and perspective, a liminal cloak that once opened reveals our togetherness in grief, our oneness with nature, and our mutual love for the buildings that hold our history. Even the great cat distribution system reveals its hand – evidence that harmony exists in the most mysterious networks of all. 

     Threads meet. Worlds overlap. The tree becomes greater than its rings. 

    • Critical Points of Contact 2022-2025 by Debra Gloeckler 
    • Eroded Origins: Speak for Me! by Garrett Andrew Chong 
    • The Thread that Binds Us by Fatima Maria Travassos 
    • The Reincarnation of Puke Pixie by Cheree Lang 
    • Ghostly Spaces by Isaac Forsland 
    • Hair Braiding by Rashi Sethi 
    • echo / corpus by Nisha Platzer 
    • BROOMANCE by Ethan White 
    Curated by Kate MacDonald, Sierra MacTavish and Esther Rausenberg

  • Noirvember

    It’s dark out… let’s watch some cathartically dark movies. 

    • Dragging Harrison Ford out of retirement, it’s the 1983 neon-noir film Blade Runner.  [3:46]
    • Oh sure the DA says to lay off, but Marlow has a hunch, see? The Big Sleep 1946. [2:05]
    • Are they aliens or the 1%? Let’s skewer the corrupt underbelly of Reaganomics in 1988’s John Carpenter meme fest They Live. [3:33]
    • Preparing for the big heist with gritty, Hays Code unapproved realism in this scene from 1955’s Rififi. [4:31]
    • Dick Tracy finds himself in a tight spot after getting pinched by Big Boy and his goons in this 1990 adaptation of the 1930s comic books: [3:56]
    • Bruce Lee (!) demonstrates why it’s not a good idea to splash out on an expensive office if you are a private eye, in this scene from 1969’s Marlowe. [3:17]
    • Sometimes you just gotta hide a wrongfully accused rabbit from the cops. Who Framed Roger Rabbit (1988). Also, while you are here, check out all the physical objects being interacted with by cartoons, all practical. It’s bananas. [3:41]
    • If you like your monologs and dialogs extra hard boiled, look no further than this narrative exposition from 1945’s Detour. [2:13]
    • Speaking of German Expressionism, check out this introduction from 1998’s Dark City.  [1:28]
    • Occupied Czechoslovakia with a man on the run, in Hangmen Also Die! 1943. This film was written by Berthold Brecht and directed by Fritz Lang after both fled Nazi Germany. [2:05]
    • Screwball dialog and a daring exit in 1931’s proto-noir The Front Page. [2:22]
    • Clash of the warrior codes when aging mafiosos pick a fight with an avid Samurai enthusiast, in Jim Jarmusch’s 1999’s Ghost Dog: The Way of the Samurai. The film was heavily influenced by Le Samouraï and Branded to Kill which appear elsewhere in our program. [2:21]
    • After the surprise passing of a beloved civic leader, his wife is left to deal with the skeletons in the closet: Keeper of the Flame (1942). [4:07]
    • Sometimes the most effective threat is a friendly question, Dick Tracy 1990. [1:26]
    • Top notch verbal jousting between Bacall and Bogart in The Big Sleep 1946. [1:39] 
    • The Shawshank-famous hairflip, plus covert sparring between ex-lovers: 1946’s Gilda. [3:22]
    • She’s not bad, she’s just drawn that way: Who Framed Roger Rabbit (1988). [3:24]
    • (Extended cut after 8pm) Vocabulary word: Rififi explained through song, dance and illustrative shadow puppets: [1:16-3:32]
    • The Big Sleep, bookstores and their employees are sexy, discuss. 1946. [2:32]
    • (After 8pm) Madonna femme-fataleing it up in 1990’s Dick Tracy. [2:42]
    • The cabbies in noirs can be several kinds of deadly: The Big Sleep 1946.  [1:03]
    • Self-driving cabs: flouting traffic laws for 80+ years: Who Framed Roger Rabbit (1988). [2:52]
    • (After 8pm) We go to Japanese B-Movie auteur Seijun Suzuki’s Branded to Kill for a nice quiet bodyguard ride through the country. 1967. [2:52]
    • The spiritual godfather of the French New Wave, Jean-Pierre Melville, strips noir down to precise action and glances in this clip from 1967’s Le Samouraï. [3:49]
    • (After 8pm) Seijun Suzuki’s 1966 Tokyo Drifter brings neo-noir back to its minimalist expressionist roots. and definitively proves that gunfights are the dream ballets of action movies. Discuss. [2:52]